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Classified
Audioclips
Explosive - Realplayer,
Windows
Hi / Lo
Scorchio - Realplayer,
Windows
Hi / Lo
Midnight Garden - Realplayer,
Windows
Hi / Lo
Lullaby - Realplayer,
Windows
Hi / Lo
Samba - Realplayer,
Windows
Hi / Lo
Hungarian - Realplayer,
Windows
Hi / Lo
Ill Fly Away -
Realplayer,
Windows
Hi / Lo
Dream Star - Realplayer,
Windows
Hi / Lo
Highly Strung -
Realplayer,
Windows
Hi / Lo
Adagio for Strings - Realplayer,
Windows
Hi / Lo
Señorita - Realplayer,
Windows
Hi / Lo
Explosive (Orion & Ed Leal Production) -
Realplayer,
Windows
Hi / Lo
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Video
Explosive - Realplayer
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Album Credits and track commentary
475 601-0
Explosive
Tonci Huljic, arr. Eduard Botric & Tonci Huljic 3.12
HAYLIE: It is what it says, this track is explosive! It was
written by Tonci Huljic who wrote our first hit Victory.
It is Bondesque in style with undertones of riverdance. Like a lot
of our music, this track is an uplifting track: its fun, very
fast, and alive!... to infinity and beyond!
Scorchio
Tonci Huljic, arr. Nenad Siskov 3.31
Second track from Tonci Huljic.
EOS: A lot of people think of our sound as being like Victory
so we thought wed keep that kind of familiarity there. It is
a high-energy track. The intro is Middle Eastern and then goes into
something more Spanish.
Midnight Garden
Eos Chater, M. Glover & R. Kerr 4.07
Based on Tchaikovskys Swan Lake.
EOS: The original Swan Lake has a sort of beautiful melancholy
about it, so I have tried to keep that and put it in a new light.
I wanted to write something really atmospheric and slightly French-sounding.
I love Serge Gainsbourgs music and I was thinking along the
lines of something like Je taime, so there is some
voice on this track.
Lullaby
Bond, M. Glover & R. Kerr 3.50
Based on Pachelbels Canon.
TANIA: Its taking the theme from Pachelbels Canon
and making it into a completely new track, which is what weve
done with quite a few tracks on this album, more so than on the other
albums. Weve taken well-known themes and moved them in a different
direction.
Samba
Gottfried Engels, Ramon Zenker & Airto Moreira, arr. Ian Wherry
3.34
TANIA: We all love Latin music, dance and culture. When we first
heard the fantastic Bellini Brothers version we loved the high-energy
feel of the track so thought we would have a go at putting our own
personal stamp on it. It's a well-known theme people recognise and
can sing along to easily and make up their own words if
they want!
Hungarian
Bond, M. Glover & Pete Lazonby 3.00
Based on Brahms Hungarian Dance No. 5.
HAYLIE: Its really mad and strange as you get stuck in
it and it goes over and over again to the point where its quite
hypnotic. Its another up-tempo track. We wanted to do something
along those gypsy lines. The idea started out from Korobushka,
that was one of the pieces we did on our first album, which is one
of the numbers that goes down so well when we do it live. When we
were thinking of drawing classically inspired tracks we thought Hungarian
Dance No. 5 would be brilliant, but it was one of those ideas that
went completely off on a tangent.
Ill Fly Away
Gay-Yee Westerhoff 3.10
GAY-YEE: This track was inspired more from cinematic and Eastern
music. I wanted to write something very simple and calm, its
definitely one of the more laid-back tracks on the album.
Dream Star
Haylie Ecker, M. Glover & R. Kerr 4.38
Inspired by Tchaikovskys Waltz of the Flowers from Nutcracker.
HAYLIE: I wanted to do something really filmic and lush that
embraced all emotions. Its a peaceful, serene kind of happiness
that one strives for, laced with a longing, yearning desire for something
deeper... a bittersweet symphony. It reflected how I was feeling at
the time.
Highly Strung
Aram Khachaturian & Dave Edmunds, arr. Bond, M. Glover & R.
Kerr 3.29
HAYLIE: Its a wild version of Sabre Dance with crazy distorted
playing from us, playing off of a mad guitar. Its like a showdown
or a play-off! Very mad! Very fast!
Adagio for Strings
Samuel Barber, arr. Bond, M. Glover & R. Kerr 4.24
Inspired by Barbers Adagio for Strings.
EOS: William Orbit did a version that is all electronic, this
one has live strings so its a larger sound, and the beat is
quite tribal. Its such a powerful piece in its pure form,
I think the arrangement works really well. Its like a churning
engine; the strings parts are very fast compared to the track, so
the piece has real momentum.
Señorita
Tania Davis, M. Glover & R. Kerr 4.28
Inspired by Habanera aria in Carmen.
TANIA: Its got a Missy Elliott vibe. Its quite a
dark track, moody in the beats. Its edgy, with a catchy melody.
I was listening to a lot of Missy Elliott at the time and then I heard
someone singing the Habanera theme. I thought it would work really
well in that style. So it was more of a musical influence than a personal
influence.
Explosive
(Orion & Ed Leal Production)
Tonci Huljic, arr. Bond, Tonci Huljic & M. Glover 3.10
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